Drummer/label head Pat Ford reunited with Charlie and brought along brother Robben on guitar, producing this return to form. Charlie is up to the task in all departments -- singing, playing (great tone), and especially songwriting (the title tune and "Seemed Like the Whole World Was Crying," and inspired by Muddy Waters's death) -- but it had been a while since Robben had played lowdown blues (touring with Joni Mitchell, putting in countless hours in L.A. studios). Pianist Clay Cotten is in fine form, and it may have been wiser to give the guitar chair to Tim Kaihatsu, who by this time had seniority (in terms of hours on the bandstand with Musselwhite) over any of Charlie's alumni. The to-be-expected-by-now deviations this time out: Don & Dewey's "Stretchin' Out," an impressive chromatic harp rendering of "Exodus," and Charlie's solo guitar outing, "Baby-O." Easily Charlie's best-engineered album (nice job, Greg Goodwin). ~ Dan Forte, All Music Guide